Adopting a multi-disciplinary approach, this comparative study of a selection of The Arabian Nights stories in a cross-cultural context, brings together a number of disciplines and subject areas to examine the workings of narrative. It predominantly focuses on the ways in which the Arabian Nights have transformed as its stories have travelled across historical eras, cultures, genres and media. Departing from the familiar approaches of influence and textual studies, this book locates its central inquiry in the theoretical questions surrounding the workings of ideology, genre and genre ideology in shaping and transforming stories. The ten essays included in this volume respond to a general question, what can the transformation of Nights stories in their travels tell us about narrative and storytelling, and their function in a particular culture?

Following a Nights story in its travels from past to present, from Middle East to Europe and from literature to film, the book engages in close comparative analyses of ideological variations found in a variety of texts. These analyses allow new modes of reading texts and make it possible to breach new horizons for thinking about narrative.

This Book was previously published as a special issue of Middle Eastern Literatures entitled Ideological Variations and Narrative Horizons: New Perspectives on Arabian Nights.

Considers how Arab and Islamic culinary culture may be represented in literary forms. Scholars of the medieval Islamic period are keenly aware of the importance of food and wine as themes in literature. Van Gelder's witty and subtle approach teases the most out of texts as well as enabling the reader to enjoy a panorama of medieval Arabo-Islamic culture from a most unexpected, yet immediately appreciable, perspective.

Adopting a multi-disciplinary approach, this comparative study of a selection of The Arabian Nights stories in a cross-cultural context, brings together a number of disciplines and subject areas to examine the workings of narrative. It predominantly focuses on the ways in which the Arabian Nights have transformed as its stories have travelled across historical eras, cultures, genres and media. Departing from the familiar approaches of influence and textual studies, this book locates its central inquiry in the theoretical questions surrounding the workings of ideology, genre and genre ideology in shaping and transforming stories. The ten essays included in this volume respond to a general question, 'what can the transformation of Nights stories in their travels tell us about narrative and storytelling, and their function in a particular culture?' Following a Nights story in its travels from past to present, from Middle East to Europe and from literature to film, the book engages in close comparative analyses of ideological variations found in a variety of texts. These analyses allow new modes of reading texts and make it possible to breach new horizons for thinking about narrative. This Book was previously published as a special issue of Middle Eastern Literatures entitled Ideological Variations and Narrative Horizons: New Perspectives on Arabian Nights.

A major translation achievement, this anthology presents a rich assortment of classical Arabic poems and literary prose, from pre-Islamic times until the eighteenth century, with short introductions to guide non-specialist students and informative endnotes and bibliography for advanced scholars. Both entertaining and informative, Classical Arabic Literature ranges from the early Bedouin poems with their evocation of desert life to refined urban lyrical verse, from tender love poetry to sonorous eulogy and vicious lampoon, and from the heights of mystical rapture to the frivolity of comic verse. Prose selections include anecdotes, entertaining or edifying tales and parables, a fairy-tale, a bawdy story, samples of literary criticism, and much more. With this anthology, distinguished Arabist Geert Jan van Gelder brings together well-known texts as well as less familiar pieces new even to scholars. Classical Arabic Literature reveals the rich variety of pre-modern Arabic social and cultural life, where secular texts flourished alongside religious ones. This masterful anthology introduces this vibrant literary heritage-including pieces translated into English for the first time-to a wide spectrum of new readers. An English-only edition.

Considers how Arab and Islamic culinary culture may be represented in literary forms. Scholars of the medieval Islamic period are keenly aware of the importance of food and wine as themes in literature. Van Gelder's witty and subtle approach teases the most out of texts as well as enabling the reader to enjoy a panorama of medieval Arabo-Islamic culture from a most unexpected, yet immediately appreciable, perspective.

Hikayat Abi l-Qasim al-Baghdadi (The Portrait of Abu l-Qasim al-Baghdadi) is an 11th-century Arabic work by Abu l-Mutahhar Muhammad ibn Ahmad al-Azdi which tells the story of a Baghdadi party-crasher crashing a party in Isfahan. It is introduced by its author as a microcosm of Baghdad. This work, written in prose but containing numerous poems, is widely hailed among scholars as a narrative unique in the history of Arabic literature, but The Portrait also reflects a much larger tradition of banquet texts, from "Trimalchio's Dinner Party" and Plato's Symposium to the works of Rabelais. It also paints a portrait of a party-crasher who is at once a holy man and a rogue, a figure familiar among scholars of the ancient Cynic tradition or other portrayals of wise fools, tricksters, and saints from literatures around the Mediterranean and beyond. While some early scholars of The Portrait dismissed it as disgusting and obscene, this work, with its wealth of material-cultural, philosophical, spiritual, and literary treasures, is much more than just a "dirty book". Following an introduction, which offers new insights into the relationship of the work to both its Greek predecessors and to its European descendants, the volume presents a new, improved edition of the Arabic text, together with a richly annotated translation, that aims at being both scholarly and readable, reflecting the often racy style of the Arabic. This makes it not only useful to specialists and students of medieval Arabic literature, but also accessible to a much wider general readership of those interested in comparative literature or "world literature". There are extensive indexes of names, places, subjects, and rhymes.

Known as "one of the most complex and unusual texts in Arabic literature" (Banipal Magazine), The Epistle of Forgiveness is the lengthy reply by the prolific Syrian poet and prose writer, Abu l-'Ala' al-Ma'arri (d. 449/1057), to a letter by an obscure grammarian, Ibn al-Qari. With biting irony, The Epistle of Forgiveness mocks Ibn al-Qari's hypocrisy and sycophancy by imagining he has died and arrived with some difficulty in Heaven, where he meets famous poets and philologists from the past. In al-Ma'arri's imaginative telling, Ibn al-Qari also glimpses Hell and converses with the Devil and various heretics. Al-Ma'arri-a maverick, a vegan, and often branded a heretic himself-seems to mock popular ideas about the Hereafter. Among other things, he introduces us to hypocrites, poets, princes, rebels, mystics, and apostates, with asides on piety, superstition, wine-drinking, old age, and other topics. This remarkable book is the first complete translation of this masterpiece into any language, all the more impressive because of Al-Ma'arri's highly ornate and difficult style, his use of rhymed prose, and his numerous obscure words and expressions. Replete with erudite commentary, amusing anecdotes, and sardonic wit, The Epistle of Forgiveness is an imaginative tour-de-force by one of the most pre-eminent figures in classical Arabic literature. An English-only edition.

One of the most unusual books in classical Arabic literature, The Epistle of Forgiveness is the lengthy reply by the prolific Syrian poet and prose writer, Abu l-'Ala' al-Ma'arri (d. 449/1057), to a letter by an obscure grammarian, Ibn al-Qarih. With biting irony, The Epistle of Forgiveness mocks Ibn al-Qarih’s hypocrisy and sycophancy by imagining he has died and arrived with some difficulty in Heaven, where he meets famous poets and philologists from the past. He also glimpses Hell, and converses with the Devil and various heretics. Al-Ma'arri—a maverick, a vegan, and often branded a heretic himself—seems to mock popular ideas about the Hereafter. This second volume is a point-by-point reply to Ibn al-Qarih’s letter using al-Ma'arri’s characteristic mixture of erudition, irony, and admonition, enlivened with anecdotes and poems. Among other things, he writes about hypocrites; heretical poets, princes, rebels, and mystics; apostates; piety; superstition; the plight of men of letters; collaborative authorship; wine-drinking; old age; repentance; pre-Islamic pilgrimage customs; and money. This remarkable book is the first complete translation in any language, all the more impressive because of al-Ma'arri’s highly ornate and difficult style, his use of rhymed prose, and numerous obscure words and expressions. A bilingual Arabic-English edition.

One of the most unusual books in classical Arabic literature, The Epistle of Forgiveness is the lengthy reply by the prolific Syrian poet and prose writer Abu l-'Ala' al-Ma'arri (d. 449/1057), to a letter written by an obscure grammarian, Ibn al-Qarih. With biting irony, The Epistle of Forgiveness mocks Ibn al-Qarih's hypocrisy and sycophancy by imagining he has died and arrived with some difficulty in Heaven, where he meets famous poets and philologists from the past. He also glimpses Hell, and converses with the Devil and various heretics. Al-Ma'arri-a maverick, a vegan, and often branded a heretic himself-seems to mock popular ideas about the Hereafter. This book, the first of two volumes, includes Ibn al-Qarih's initial letter to al-Ma'arri, as well as the first half of The Epistle of Forgiveness. This translation is the first complete translation in any language and retains the many digressions, difficult passages, and convoluted grammatical discussions of the original typically omitted in other translations. It is accompanied by a comprehensive introduction and detailed annotation. Replete with erudite commentary, amusing anecdotes, and sardonic wit, The Epistle of Forgiveness is an imaginative tour-de-force by one of the most pre-eminent figures in classical Arabic literature. A bilingual Arabic-English edition.

To my knowledge...no one...has ever written a comprehensive book dealing with physicians through the ages and recounting their history in a coherent fashion. So wrote Syrian physician Ibn Abi Usaybi'ah, circa 1243, as he embarked on the first world history of medicine ever attempted. Many physicians served at the royal courts of their time and were firmly part of the intellectual and cultural scene, where the ability to write stylishly and entertain one's peers in both prose and verse was the basis of social credibility. The work Ibn Abi Usaybi'ah created contains over 432 biographical accounts of physicians from those of ancient Greece, such as Galen, through Avicenna and Maimonides, to the author's own colleagues of the 13th century. As such, his work includes important accounts of medical activity in medieval hospitals. Through this book, a window opens not only on to the origins of the medical profession, but also into the truly multi-cultural, multi-religious world of the medieval Middle East. Anecdotes and Antidotes is an abridged version of this world history of medicine. It comprises 103 biographies of physicians and philosophers, organized geographically and chronologically, from the 4th century BC to the 13th century, and includes seminal Muslim, Christian and Jewish figures. It contains vital medical and historical information, as well as revealing the cultural values, interests and concerns of the literary and intellectual elite of the time.

The essays in "Ruse and Wit" examine in detail a wide range of texts (from nonsensical prose, to ribald poetry, titillating anecdotes, edifying plays, and journalistic satire) that span the best part of a millennium of humorous and satirical writing in the Islamic world, from classical Arabic to medieval and modern Persian, and Ottoman Turkish (and by extension Modern Greek). While acknowledging significant elements of continuity in the humorous across distinct languages, divergent time periods, and disparate geographical regions, the authors have not shied away from the particular and the specific. When viewed collectively, the findings presented in the essays collected here underscore the belief that humor as evidenced in Arabic, Persian, and Turkish narrative is a culturally modulated phenomenon, one that demands to be examined with reference to its historical framework and one that, in turn, communicates as much about those who produced humor as it does about those who enjoyed it.

A major translation achievement, this anthology presents a rich assortment of classical Arabic poems and literary prose, from pre-Islamic times until the eighteenth century, with short introductions to guide non-specialist students and informative endnotes and bibliography for advanced scholars. Both entertaining and informative, Classical Arabic Literature ranges from the early Bedouin poems with their evocation of desert life to refined urban lyrical verse, from tender love poetry to sonorous eulogy and vicious lampoon, and from the heights of mystical rapture to the frivolity of comic verse. Prose selections include anecdotes, entertaining or edifying tales and parables, a fairy-tale, a bawdy story, samples of literary criticism, and much more. With this anthology, distinguished Arabist Geert Jan van Gelder brings together well-known texts as well as less familiar pieces new even to scholars. Classical Arabic Literature reveals the rich variety of pre-modern Arabic social and cultural life, where secular texts flourished alongside religious ones. This masterful anthology introduces this vibrant literary heritage-including pieces translated into English for the first time-to a wide spectrum of new readers. An English-only edition.